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Clever Pseudonym's avatar

God, that was bleak!

Because the Social Justice faith was first incubated on the Humanities side of American academia, it's in the debased state of modern Arts & Letters that we can see the beast clearly and in all its glory: dogmatic, fundamentalist, preachy and intolerant, a permanent guilt trip/Struggle Session where the European man and all his works is always in the dock, while an endless procession of "the marginalized" line up to take their turn denouncing him and letting him know how much he hurt their feelings.

But also what's most evident is what's most absent: individual talent and skill, dedication to craft, any sort of esthetic pleasure or imagination, an original vision focused on something larger than the Self and its grievances—all the best parts of art and free expression erased and replaced with the same stale mixture of Marxist dialectical struggle and therapeutic self-esteem.

Thus the first and only purpose of art now is the propagation of the One True Faith and redistribution of prestige to the sacred victim class, with all of culture just a form of social work done for the sake of "Justice" and "Equality".

"Social Justice" is to works of art what feces is to water—one drop makes the whole thing stink.

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Mike Hind's avatar

Jesus H Christ I struggled to read this one, but the keeper phrase for me is "children's crusade", which I'm going to appropriate with impunity.

The BBC recently did a documentary series on the history of Disco and its political roots in things like the Stonewall riot. It was fine and interesting until the (mainly black and female) academic contributors started talking about House (as the successor and enduring dance genre) being 'queer'. It was a case of Gell-Mann amnesia because I happen to know a fuck tonne about EDM (Electronic Dance Music) and its thrilling seminal birth in (brilliant black dude) Afrika Bambaataa lifting the melody line of Kraftwerk's (brilliant white dudes) Trans Europe Express. No mention of the sexless, apolitical, androgyne, mixed racial quality of techno and all its offshoots . No understanding of the field on which they're invited to opine. These people are intellectual mediocraties. I feel frustrated and sad when black geniuses who invented truly unifying art are represented by these fools. I'll be publishing a deeper dive on this myself, in due course.

On a separate but related note, is anyone aware of anyone ever translating a modern academic humanities paper, with all its stifling and formulaic language into everyday parlance, to see how insightful or not it really is? If not, I'll do it.

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